Irip Ahn (b. 1990, Seoul, South Korea) is a painter whose work investigates the uncertain nature of seeing. His practice departs from a simple but persistent question: when we recall a moment from our lives, are we remembering what we actually saw, or a version quietly reshaped by regret and longing over time? Memory, he argues, is less a record of observation than a consequence of wanting to believe one has observed.
This inquiry finds form in his ongoing series Fathom. In these works, surfaces built from microscopic organic structures are set against planes of light-absorbing black that appear to hold depth yet contain nothing. The closer the viewer looks, the less certain the image becomes. What seemed visible dissolves. The gap between what we believe we see and what actually exists does not close.
Since his last solo exhibition in 2021, Ahn has devoted five years to intensive studio research, developing the material and conceptual foundations of the Fathom series. This sustained period of production has yielded a body of work that marks a significant evolution in his practice — one now focused not on what to paint, but on how painting itself can make the conditions of vision visible.
This inquiry finds form in his ongoing series Fathom. In these works, surfaces built from microscopic organic structures are set against planes of light-absorbing black that appear to hold depth yet contain nothing. The closer the viewer looks, the less certain the image becomes. What seemed visible dissolves. The gap between what we believe we see and what actually exists does not close.
Since his last solo exhibition in 2021, Ahn has devoted five years to intensive studio research, developing the material and conceptual foundations of the Fathom series. This sustained period of production has yielded a body of work that marks a significant evolution in his practice — one now focused not on what to paint, but on how painting itself can make the conditions of vision visible.
Education
2015 / 2013 M.F.A / B.F.A
Fine Art, Sejong University, Korea
Fine Art, Sejong University, Korea
Solo Exhibition
True-Blue, Gallery Spectrum, Seoul
2020
The painting remained material, Gallery Roun, Seoul
2019
ONE'S LIFETIME, Can.verse 10G45, Seoul
2018
SURVIVAL: ISM, ARTWA, Seoul
Group Exhibition
2019
Above All, Galley A, Seoul
2018
HAUNTING BEAUTY, Artistrian, Seoul
2018
Fear : X, Indie Art Hall GONG, Seoul
2014
JW Young Art Award, Artspace H, Seoul
2014
The 5rd Artists of tomorrow Gyeomjae Jung Sun, GyeomjaeJeongseon Art Museum, Seoul
2012
The 4rd Insa Art Festival, Ara Art Center, Seoul
2012
HOTIST Curator's choice, Gana Art center, Seoul
Above All, Galley A, Seoul
2018
HAUNTING BEAUTY, Artistrian, Seoul
2018
Fear : X, Indie Art Hall GONG, Seoul
2014
JW Young Art Award, Artspace H, Seoul
2014
The 5rd Artists of tomorrow Gyeomjae Jung Sun, GyeomjaeJeongseon Art Museum, Seoul
2012
The 4rd Insa Art Festival, Ara Art Center, Seoul
2012
HOTIST Curator's choice, Gana Art center, Seoul
Publications / Thesis
2014
A Study on the Representation of Absent Images through
Carnivalesque and Festival Mechanisms (Graduate School of Sejong University, Korea)
A Study on the Representation of Absent Images through
Carnivalesque and Festival Mechanisms (Graduate School of Sejong University, Korea)
Awards
2014
4th JW Jung Young Art Award, JW Pharmaceutical Foundation, Seoul
2014 5th Tomorrow’s Artist Selection Geomjae Jeongseon Museum, GeomjaeJeongseon Art Museum, Seoul
4th JW Jung Young Art Award, JW Pharmaceutical Foundation, Seoul
2014 5th Tomorrow’s Artist Selection Geomjae Jeongseon Museum, GeomjaeJeongseon Art Museum, Seoul
Collections
Embassy of the Republic of Cyprus in the Republic of Korea
Oil and water-based pigment on linen
178 × 127 cm
70 1/8 × 50 inch
2025
Margit Endormie
Photo: Ronald Amstutz
Dia Art Foundation, New York
1989
Element plane
Mixed Materials
120 x 150 x 150 cm
Photo: Salvatore Licitra
1983
Silver Broom and Broom without Bristles
Wood and horsehair encased in a sheet, with solid copper and felt.
Measurements: 130.00 x 51.00 cm
1972
Wood Saw-Cut Exercise
Wood
61 × 8.9 × 8.9 cm
1958
Fat Chair
Wooden chair, wax, fat, and wire
Not to Be the Second Winner
Aldo Rossi chair on base
1987
Room 2
Hessischen Landesmuseum Darmstadt
Mortar and Pestle
Mixed media, 1985
225 x 120 x 350cm
Untitled
Fibreglass
15 x 26 x 197cm
1967
George and the Dragon
1984
installation view
Zigzag Incisions at CRAC Alsace
2017
Angle - Element Series
Two element timber piece
1960
The Five Mountains Not to Climb On (Die fünf unbesteigbaren Berge)
Hazelnut pollen, height: approximately 2 3/4 inches
1984
Ehre Mut Zuversicht
Mixed media installation
variable dimensions
1985
Für einen anderen Körper (For Another Body)
Beeswax, brick construction, stucco
11 ½ × 5 ¼ × 13 feet
1988
Gelose-Objekt
Gelatin, Wax, Transformer Part
20 cm x 35 cm x 35 cm
1969
Foto: Mario Gastinger
Pyramid (Square Plan)
68 7/8 x 31 x 31 in
1959
Philemon
Wood (western red cedar)
91 × 91 × 91 cm
1981
Silver Broom and Broom without Bristles
Wood and horsehair encased in a sheet, with solid copper and felt.
Measurements: 130.00 x 51.00 cm
1972
Ohne Titel/Untitled
1987
Installation view
Monika Sprüth Galerie,
Cologne, May 5–July 29
1995
Division and Multiplication of the Mirror
Installation view of the P.S. 1 exhibition
October 2–November 27
1988